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Writer: Brian Michael Bendis / Artist: Michael Gaydos / Marvel Comics Until now, Jessica Jones had been a unique title for several reasons, one of which that it was carried by reliance on quippy dialogue and the personal struggles of a woman trying to hold it all together. Add to that, her world seemed somewhat isolated in a universe of costumed heroes; it seemed the series itself had a near disdain for high-flying antics and explosions of the genre – much like our newly introduced character, Allison, herself – and lived in its smaller corner of the Marvel universe with its own melancholy tone. If those things were true before, Jessica Jones #4 serves to begin undermining all of that.
The plot finally starts to unfold in issue #4 to give us a semi-twist understanding of Jessica’s mysterious incarceration where this series began. It moves us forward finally, as we’d all been patiently waiting, but its reveal, while progressing our understanding of the plot, detracts from much of what readers could connect with from the first three issues: particularly, starting a new chapter in your life, trying to get back on track, and the relationships you affect in the process. Instead we come to realize this isn’t a new chapter at all, but an elaborate ruse, and one that pulls Jessica Jones’ life from the relative Marvel isolation that allowed it to be so refreshing. It happens through a conversation with Carol Danvers, which has, in the past, felt more like a guest in Jessica Jones’ wor…
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Meet the author
Jordan Calhoun
Jordan Calhoun is a writer in New York City. His forthcoming debut book "Piccolo Is Black" is a celebration of the common adaptations we made while non-diverse pop culture helped us form identities. He holds…
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