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Writer: Brian Michael Bendis / Artist: Jason Fabok / DC Comics Y’all, I tried. Y’all, I am still trying. See, Man of Steel #6 had an insurmountable tasks of revealing the ‘mysterious fate’ of Jon and Lois, at least partially resolve the Rogol Zaar conflict, and set up whatever future plotlines it needed to. It had to do all of these things in a somewhat interesting way, and yet all of these things were just dull. From a narrative standpoint, it’s not even bad: just boring. All of the motions make sense, previous plot points are paid their proper due, there are individual moments that resonate…but the collective whole just falls flat. When BNP covered the Super Sons of Tomorrow arc earlier this year, I wasn’t expecting the conclusion of the crossover to result in some half-baked excuse to write Jon and Lois out of the plot. Not to belabor the point I made last week, but I find it really difficult to see the family man side of Superman without him having a family to actually interact with. Perhaps the most egregious parts about this are it seems entirely manufactured to make Superman sad. This was the slowest, most predictable burn in a comic arc with a lackluster pay-off. It’s frustrating, because that dynamic is what made Superman and Action Comics worth reading since the start of Rebirth. Now it’s just gone. Speaking to the Rogol Zaar half of the issue, I will give Fabok credit for the artwork. The final skirmish is pretty awe-inspiring. There’s a lot of fanfare, many co…
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Mikkel Snyder
Mikkel Snyder is a technical writer by day and pop culture curator and critic all other times.
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