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Writer: Patrick Gleason, Peter J. Tomasi / Artist: Doug Mahnke, Jaime Mendoza / DC Comics In my opinion, every great Superman story starts with a simple underlying premise: the central conflict cannot be solved by the myriad of powers that Superman has at his disposal. Rather, it has to be solved by the incredible humanity of the Kryptonian raised in Kansas. It might seem odd to put Bizarroverse on the same list as Kingdom Come, For the Man Who Has Everything, and Superman for All Seasons, but the truth is Gleason and Tomasi are using their last arc to delve deep into the very core of Superman. The Bizarroverse as a storytelling mechanism raises a mirror on all the developments we’ve seen with the Kent boys over the better part of two years and gives us a chance to reflect on them.
We first get a glimpse of Htrae, a cubical planet that is every bit as odd as a world full of Bizarro-like beings should be. Jon and his compatriots are on the ground at the Bizarranch, Superman and Bizarro are battling it out on the Noom. It is the climactic set up we deserve, and Mahnke and Mendoza absolutely deliver on the stunning visuals. The clash of the two titans is a visual spectacle with iconic panels that showcase the power of both Superman and Bizarro. Not to outdo themselves, the scenes Bizarroranch is not nearly as kinetic but captures the panicked tone of Jon and friends as well as some great comedic moments. Plus the character designs for the Legion of Fun are perfect. The remainde…
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Meet the author
Mikkel Snyder
Mikkel Snyder is a technical writer by day and pop culture curator and critic all other times.
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