Way and Orlando have steered Danny the Ambulance and the motley Doom Patrol into a weird kinda alternative Earth somewhere in Providence, Rhode Island. Somewhere else, in a place called Final Heaven, a company called RetConn is offering its services to its… otherworldly clientele. And with this framing, Way and Orlando present a strange sort of satirical look at the comic book industry and the creative process. It’s a critique on 1950’s wholesomeness and family values all contained within a narrative about how different groups of misfits empower each other in dire circumstances.
ACO’s artwork perfectly captures the retro/modern contrast. The surrealism of this pocket universe is perfectly realized, coupled with the beautiful colors of Bonvillain and Louise. The design is crisp and results in something with all of DC Comics’ DNA, but with a unique presentation.
If I had time, I’d take a corkboard and start arranging comic book clippings with color strings to try and make sure I understand everything that’s happened in the book. There’s a lot going on and the rest of the Milk Wars are probably going to follow suit. But if you’ve been following any of the Young Animal titles, if you’re a fan of offbeat, off-the-rails humor, you’ll find yourself bewildered in the best possible way.
In a 2017 interview, Gerard Way recounted how Grant Morrison told him to “find a new weird”. There is no doubt in my mind that the creative team for MILK WARS has found that new weird.
9.3 “Milk Deliveries” out of 10
Curious about the Milk Wars? Find BNP’s coverage on the udder-ly bizarre DC Crossover event here. Are you following Black Nerd Problems on Twitter, Facebook,Instagram, Tumblr, YouTube or Google+?



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