Abbott #1 Review

Writer: Saladin Ahmed / Artists: Sami Kivelä and Jason Wordie / BOOM! Studios The time is 1972. The place, Detroit. The name, Abbott. Elena Abbott. Fresh for New Comic Book Day from BOOM! Studios, Abbott #1 is a strong entry into the crime genre of comic books.

The writer of Abbott, Saladin Ahmed, is having one hell of a comic book explosion right now, writing on the stellar Black Bolt (Marvel) and starting a re-booted Exiles comic in a few months. With him are artists Sami Kivelä (Beautiful Canvas) and Jason Wordie (God Country), and a variety of other artists on covers. Together they’ve created a tight first issue. The title character, Elena Abbott, is a Black woman journalist for the local Detroit Daily newspaper. Due to her tendency to report on stories the police and other authorities would rather sweep to the side, she’s got the white half of the city against her and the Black half behind her which is fine by her. Abbott walks in the storied footsteps of other Black journalists like Ben Urich, out there on the beat reporting the truth. Immediately, she gets twisted up in a weird story featuring the slaughter of a police horse. The locals want to blame the Black Panthers—it is 1972 after all—but Abbott’s got a funny feeling about that. In fact, Abbott’s got a funny feeling about a lot of things as we find out more about her. This is where the story is strongest; in showing us who Abbott is when she’s not out overcoming sexism and racism in her day job. She’s a creature …