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Writer: James Robinson / Artist: Carmine Di Giandomenico / DC Comics A Fighting Man We are at the fifth installment of the Deface the Face, and my interest in this version of Batman and Two-Face has been waning with each passing issue. Detective Comics #992 has done an incredible thing and made me care a little more about their current predicament, but given how soured I was on the previous heavy handed exposition, my best description for my current feelings are: “it’s kind of okay.” Right off the bat, I will say that Di Giandomenico’s artwork is much better suited for the frantic pacing of the different action sequences that occur in the issue. The central set piece of Gotham City’s Museum of Natural History is rendered perfectly and creates a magnificent backdrop that combines a mix of heist elements, hand to hand combat, and some gunplay. It’s a visual delight that evokes the same response of a well-done action movie. Watching Kobra infiltrate the museum only to be met by a vigilante and villain-turned-vigilante is a glorious sensation and even the aftermath instills a great bit of tension in how the visual pacing is handled. However, comics are a two-sided medium, and I can’t say the actual text speaks to me the same way the gorgeous artwork does.
I have several minor gripes with Robinson’s writing that combine into a single major gripe: I don’t think Robinson trust us as readers. His opening panels feature heavy handed pedantic allegory that jarringly jumps into yet an…
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Meet the author
Mikkel Snyder
Mikkel Snyder is a technical writer by day and pop culture curator and critic all other times.
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