This issue focused on the so-called Superman Theory, which is the mass production of powered people in the United States. This, cleverly, has led to even harder regionalism and distrust of both the government and powered individuals. Prime enemy on that list is Batman, whose job would be hard enough to manage with the Watchmen crew invading his world, but also being against the will of the people.
Two big reveals happen that lead us towards even more involved characters in cool and surprising ways. Still, there is a lot to buffer before you get there. It’s easy to lose the grounded threads in such a shifting narrative.
What has been consistent this whole time is Frank’s art being superb and rooted throughout. The dreary landscape and outlook for the future is fully articulated with his talent for expression and focus. The book is still very good, the art itself has consistently been great.
Doomsday Clock makes its way back with a torrid pace. A lot is happening, but it is mostly created an atmosphere to weigh the plot even further. We aren’t getting too many answers yet, but we are getting a better picture of who is involved.
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