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What works in this issue are the clasps of fingers finally coming together. A lot has been set for this stage, paid for in desecration and blood, so I can’t imagine this will go off without a hitch. The various plot machinations going on behind the scenes makes you wonder who will come out of this thing unscathed. Or victorious, if that’s even possible.
Dragotta of course does wonders on the pencils, especially in the more disturbing or visceral scenes. The use of space is it’s own character sometimes in the art, especially in the Sea of Bones in this book. It is foreboding and deadly because we’ve been commissioned to feel that terrible things permeate everything in this world, even when we can’t see them.
Some cool moments and still a good amount of set up, we’re still ramping up to more fruitful revelations. If we get East and West back on a regular schedule, there’s no doubt that big things are in the coming months.
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What works in this issue are the clasps of fingers finally coming together. A lot has been set for this stage, paid for in desecration and blood, so I can’t imagine this will go off without a hitch. The various plot machinations going on behind the scenes makes you wonder who will come out of this thing unscathed. Or victorious, if that’s even possible.
Dragotta of course does wonders on the pencils, especially in the more disturbing or visceral scenes. The use of space is it’s own character sometimes in the art, especially in the Sea of Bones in this book. It is foreboding and deadly because we’ve been commissioned to feel that terrible things permeate everything in this world, even when we can’t see them.
Some cool moments and still a good amount of set up, we’re still ramping up to more fruitful revelations. If we get East and West back on a regular schedule, there’s no doubt that big things are in the coming months.




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