From one issue to the next, all of the peripheral characters seem to just willingly sidestep any personal motivations they might have had to suddenly become Erik’s intellectual and/or emotional labor during his quest for revenge. Virtually everything about this book that gave the first issue its bite is bizarrely absent in the second. I was so marginally entertained, I can’t guarantee I wasn’t asleep with the book on my desk and dream up everything up until the last couple of pages. Juan Ferrerya’s artwork prevails as one of the book’s primary saving graces. In fact, I would argue that his linework improved with this issue only to be underused by Hill’s timid script. There aren’t a lot of iconic, memorable panels and this book really only has the plot to blame.
Bottom Line: This book showed a lot of promise but the amount of missed opportunities to set “Year One” Killmonger apart from other villainous backstories sent its stock sliding south faster than the Cowboys’ playoff chances. It’s not unsalvageable but anyone who has already invested in this book early won’t see much intellectual return.
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