S.W.O.R.D. #1 stands out as Star Trek for X-Men fans

S.W.O.R.D. opened up strong this time around with a large, interesting cast, gorgeous art, a premise that brings fresh blood to an already dynamic relaunch of Marvel’s Mutants

Writer: Al Ewing // Artist: Valerio Schiti // Marvel

I judge most X-books at this point according to how effective they are at setting themselves apart from the other titles within the considerably beefy franchise. In that regard, while most of the books are solid, they’re only decent at distinguishing themselves. With this in mind, S.W.O.R.D. #1 is already a step above the others. As a space analog to the now defunct S.H.I.E.L.D., S.W.O.R.D. (namely its leader, Abigail Brand) has had a spotty history of appearances, both in starring and supporting roles, since first being created in 2004. However, it’s possible the concept has found more solid footing as a part of Jonathan Hickman’s relaunch of the X-franchise. Al Ewing is about as straightforward in his first issue as the premise. After failing to see pretty much everything that happened in the events of Empyre coming, Brand resurrects S.W.O.R.D. with the help of the mutants of Krakoa. The only way I know to really sum up the organization’s mandate is to compare it to Star Trek. They keep the peace in their corner of the galaxy as a diplomatic representative of Earth’s best interests while also engaging in the occasional scientific exploration for the betterment of the world (with Krakoa, of course, having the inside track on the findings). Ewing doesn’t waste too much time introducing his rather large cast, but it also doesn’t feel rushed. Even though Magneto seems to be a significant focus of the issue, you get the impre…

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