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Writer: David F Walker / Artist: Nelson Blake II / Marvel Comics Luke Cage, for all intents and purposes, is in a real good position right now. Even though Defenders was…aiight, it kept Cage’s TV profile up. And thanks to Walker and Blake, Cage is as prevalent in his own book as he has been in a very long time. After the last issue, where we watched Kevlar go berserker at the sight of his whole crew getting merked, Cage is left to stand toe to toe with the stronger version of himself. This was a great starting point for the book (that seems to be the end of this arc) as Cage has finally had the wool removed from his eyes and is beginning to see the end game. There seems to be a lot that happens in this issue but maybe not enough. This initial plot, which has been supremely timed to this point, felt a little quick to the finish and resolution. Especially since the circumstances that “end” it were just the kind of a thing that happened that didn’t really force characters to make too many tough decisions. I was still happy to see Warpath be such an important and unique character throughout the book, often breaking up the moralizing and hand-wringing of the characters.
One of my favorite moments of the book was the de-escalation of the conflict between Kevlar and Cage. I’m probably projecting here, but Walker seems to have tapped into something with the Cage legacy, one that deals with the exploitation of at-risk men, specifically Black men at the hands of (let’s call it wha…
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William Evans
William is the Editor-In-Chief, leader of the Black Knights and father of the Avatar. With Korra's attitude, not the other one.
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