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Come forth, weebs of all genres. Otakon 2019 blasted off July 31 through August 2, with thousands descending upon the nation’s capitol to celebrate Japanese animation. This year’s highlights included a Nujabes homage concert with Japanese artists known for their work on Samurai Champloo. MINMI performed live. There was an annual AMV Contest, and of course the legendary Dealer’s Room and Artist’s Alley were on point for those brave enough to wander through with cash on hand. Chances are, you could put a deposit on a house with the amount of money us weebs drop at an anime convention. I was FLOORED by the magnificent displays of fashion and costumes as I perused the halls of this convention.
Otakon has always been another home for me. The familiar faces I see year after year bring comfort as I roam the halls. My conversations touched on the evolving anime culture. With other fans I waxed nostalgic about anime conventions of times past. Returning home, I find myself musing on what we have become. As we twentysomethings navigate the hellish landscape of the real world, reality intersects with our long-lasting love of nerd creations in new and sometimes wonderful, sometimes awful ways. We wonder where we can go from here; growing from the brutalities and the solaces of familiar manga while also facing our complicated feelings at the sluggish social progress of certain anime narratives and tropes. We continue to hope for the best in our communities.
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Meet the author
Oona Sura
Oona Sura is a cosplay enthusiast with an appreciation for Framboise Lambic, Haruki Murakami, and cats. Catch her at the next anime convention on the East Coast!
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