Whereas DCeased always had a very somber overtone, Unkillables is a little more cavalier and boisterous. The tone is fitting considering that most of the principles are unconventionally heroic at minimal. Taylor’s ability to weave lore and various plot points is still very commendable, and the ease of which you can line up events and timelines even though it’s been months between issues is commendable. The dialog is snappy and appropriately snarky, and there are plenty of emotional beats that ground some of the more wild actions of the characters. While not as tonally consistent, it still feels very much grounded in the not-exactly zombie apocalypse, and I’m more than willing to spend more time in the world.
Mostert’s pencils shine the most during the frantic sequences. The dynamic movements during the action are wonderful, but some of the slower more dramatic moments seem off at times. Some of the character designs feels off at times, but never enough to detract from the comic itself. Scott, Edward, and Livesay’s inks alongside Lokus’s colors visually tie Unkillables to the DCeased universe brilliantly, and Temofonte’s letters rounds out the pages in a style that is reminiscent of the parent series, while still retaining its own identity.
DCeased: Unkillables #1 does not immediately grab me like the original did, but as a fan of Taylor’s Elseworld I’m still very much invested in the different story lines he has set up. The world itself is fascinating and getting this unexpected expansion of scope is worth the investment in my eyes.
8.3 “Antiheroes” out of 10
Rereading DCeased? Check out BNP’s other reviews here.
Want to get Black Nerd Problems updates sent directly to you? Sign up here! Follow us on Twitter, Facebook and Instagram!



CommentsNo comments yet
Subscribe for more
Be part of the conversation
Subscribe to Black Nerd Problems to start commenting.
Already have an account? Log in