Iron Fist Season 2 Is Better Than Season 1… And That’s About It

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As I prepare to watch the first six episodes of Iron Fist Season 2, I meditate. I channel Zaheer (one of the few Western examples where an Asian-inspired character is handled with incredible nuance) from Legend of Korra and let loose my earthly bias*.

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I genuinely want the Marvel Netflix series to be good. Good cross-genre superhero shows beget better cross-genre superhero and hand to god, everyone wins and we get more chances to see other stories adapted. There have been many times I have been skeptical of new media, only to be pleasantly surprised when I actually sit down and watch. When Danny Rand made his cameo in the second season of Luke Cage, I was optimistic. That Danny Rand was personable and actually felt like some character development so I was going in to this pretty neutral.

After seeing the first six episodes, this is what I got: the sophomore season of Iron Fist is in fact better than its original outing. The fight choreography has had a marked improvement and the flow is significantly more fluid and the cinematography feels smoother.

And now let’s talk about my grievances.

  1. The Marvel Netflix Universe has decided to once again utilize Asian villains as the main antagonist. The Triads, specifically the Hatchets and Golden Tigers, are competing over the power vacuum left by the Hand, and I somehow found myself missing when the Meachum family was the focal point of most of our ire. To say nothing about Davos’ return.
  2. There are about seven different plot threads that are rapidly introduced within the first episodes and the writers play Russian Roulette with Chekov’s Gun. A particular character or plot point can have immediate payoff within the same scene or go completely ignored for episodes before suddenly popping up again in an unexpected context.
  3. No one in this show seems to have any chemistry with anyone else and there was a lot of awkward blinking.
  4. The dialog… listen, the dialog… They were guilty of some odd exposition, but literally no one talks in this many tropes and idioms and vague purple prose except everyone in the main cast. We got highlights like:
    • “It’s easy. The sun rises in the east.”
    • “Hopes and dreams are seeded into the sidewalk here. Sometimes they blossom.”
    • “Get out of my kitchen lady. Before you get burnt.”
    • “Violence begets violence, which you would know if you went to school.”
    • “Am I so wrong to think that things happen for a reason?”
    • “I never thought you for the domestic type.” / “I’m not.”
    • “Weapon? He is the weapon.”
  5. Remember how I mentioned that I was looking forward to personable Danny Rand? I’m still looking for that, because what we got was a brooding blood knight Danny inspired by the promise he made to Matt Murdock. Danny literally embodies all of the worst parts of privileged “I’m going to pull myself from my bootstraps” even when he could be using his funds to like… actually do good things in the world. Or at least get a slightly better costume. Batman at least pays for orphanages yo.

Clearly, not really my cup of tea, but I will add some additional accolades that I forgot to mention earlier. The flashback sequences are beautifully done and provide a lot of context that I wish I saw in season 1, but I will take now. K’un Lunan provides a lot of interesting moments and is definitely the highlight over the mess of a main plot. The music and soundtrack is solid.

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Ward Meachum (played by Tom Pelphrey) is the surprising stand out of the series. He actually goes through significant character development throughout the first six episodes and responds to events in a way that feels realistic. I think they criminally under use Colleen Wang (Jessica Henwrick) and Misty Knight (Simone Missick). Mary (Alice Eve) is a curveball of a character in an already crowded show. Joy Meachum (Jessica Stroup) and Davos (Sacha Dhawan) are a weird pairing, but for the most part actually work. But like, the titular homie punched a dragon in the heart and is supposed to be the world’s greatest martial artist and dude is mildly insufferable at best and takes so many goddamn Ls. He has Iron Man’s money, Captain America’s lack of pop culture knowledge, Dr. Strange’s white savior complex, yet only has a single iota of charisma.

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The post-Defenders Netflix shows have been a strange gambit of weird characterization and plot. While Iron Fist has stepped its game up, we weren’t working with a high bar to begin with. Completionists: you’re gonna sit through what I sat through and you’ll have a couple moments to hold onto, but they are few and far between. It is all over the place and lacks balance.

Y’all, we deserve a better class of martial arts media. And maybe the foundation wasn’t the strongest thing to begin with, but what was built does not stand tall and I’m going to finish it when the full release drops in September, but that’s out of obligation more than anything.

*I put aside my general apathy towards the original Iron Fist and the Danny Rand led Defenders. I put aside #AAIronFist. I put aside the side eye I reserved exclusively towards Jeph Loeb wearing a karate gi and Akira Yoshida… I mean C.B. Cebulski. I put aside Finn Jones’ making off handed comments about people hating Iron Fist because of a certain billionaire. And y’know what? After watching six episodes, these opinions were the least of my damn concerns. The plot was a mess and the dialog left so much to be desired, and I just want better.

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  • Mikkel Snyder is a technical writer by day and pop culture curator and critic all other times.

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