Writer: Geoff Johns / Artist: Gary Frank / DC Comics
Delays happen in comics all the time. Either by adding issues or droughts between issues, this is almost standard operating procedure at this point, but the stakes for Doomsday Clock were different. As they were a means to explain the numerous reboots and interwoven with some existing storylines, the delays of the comic really hurt it in the most predictable ways. What wasn’t typical and surely not in the planning of this comic, was the explosion of The Watchmen TV show. By most critical accounts, it has been regarded as one of the best shows of the year and is the identifiable 2019 Watchmen content that people will recognize first. For perspective, issue #11 was released on September 4th of this year. The Watchmen didn’t come on TV until late October and aired all nine of its critically acclaimed episodes before we got the finale of Doomsday Clock.
If you count all the delays (not just between 11 & 12), then Doomsday Clock would’ve wrapped up well before HBO debuted its first episode. But instead, it claimed the dominant versions of Dr. Manhattan, Adrian Veidt, etc, etc and now Doomsday Clock feels like an afterthought. Which is super unfortunate because the book had gained some great momentum on the back half of its issues. We were finally set up for the confrontation between Jon & Clark…then we waited for three months. Which could’ve still been fine, but we weren’t waiting alone. Not if we had a subscription to HBO.
Frank does a good job here as always, even with more splash pages than usual. The narrative feels a bit chaotic with the number of characters depicted in the last battles, but Frank does a good job of character detail so that it doesn’t just devolve into limbs and logos.
It’s hard to say that Doomsday #12 was worth the three-month wait, especially since we don’t live in a vacuum and can’t pretend that a great version of Watchmen didn’t just happen in Doomsday Clock‘s absence. The story wraps up well, if not a bit safe. Ultimately, it will be hard to look back on this series and not at least put it in conversation with a cohesive media from the same source, that couldn’t be more different.
7.2 Merging Supermans out of 10
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I sorta agree but I do feel that a.) there are other stories of superman b.) in a world where idiots write superman off it’s important to show why he’s great. Not because he’s a brawler. But because he’s compassionate
I also think that Doomsday Clock had a better Ozy. Ozy literally plays everyone and it’s only at the very end that he fails. The show may have it’s virtues (i’ve not seen it) but I do think that writing it off is silly. Manhattan also comes off awesome here. The scene with the photo of Janey was great.