End of an Arc: Saga #54 Review

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Writer: Brian K. Vaughan / Artist: Fiona Staples / Image Comics

This season of Saga has solidified the story as one of the best works of speculative fiction in recent memory and perhaps one of the best stories in any genre or medium. Ever since Saga came back from hiatus with #49 last year, milestones have been achieved, the social commentary has been sharp and poignant, and the creative vision of Vaughan and Staples remains stunning. While the series has spent time dealing with topics like the persecution of non-traditional families and the role of journalism during crisis and conflict, Saga #54 eschews the allegory for this issue to instead examine the deeply personal. Of course, the deeply personal certainly has the ability to wound us deeply. My reaction to the season finale of Saga before it goes on a one-year intermission can be summed up as follows:

Oh god. Everything hurts.

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I’m not sure if it’s older Hazel’s casualness in her narration or the fear Staples has instilled on Marko’s face that is more unnerving when I read the first page. After the cliffhanger ending in the last issue, Saga #54 wastes absolutely no time in having Marko and The Will go at it. What follows is a beautifully tragic brawl that lets us examine the two characters, both who they were and what they have eventually become. It’s a sobering reminder of the contrasting arcs the two characters have undergone throughout the story. Marko and the Will are characters that exist on the complex spectrum of masculinity, violence, and morality. To have them engaged in such a bitter conflict is to highlight one of the recurring themes of Saga: in a cruel world, what does it mean to be kind? When confronted with your dark reflection, how do you react?

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This issue was difficult to read. So much of the story is told in silence which only bolsters the impact Vaughan’s incredible dialogue has when it shows up. Staples’ artwork is visceral, vibrant, and brutal. Each wordless panel hits like a bag of bricks. The deftness with which the two are capable of changing tone is awe-inspiring. It’s the comic book manifestation of multiple punches to the gut. It hurts, in a tragically beautiful way. It’s truly the only way the arc could have ended, but it makes it no less difficult to process. I’m gonna need that year to recoup. I got no quips at the end of this review. Just a simple fact.

10 out of 10

Reading Saga? Find BNP’s other reviews of the series here.

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  • Mikkel Snyder is a technical writer by day and pop culture curator and critic all other times.

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  • Evil Ninja (@EvilNinjaX24)

    One year… one year to mourn, one year process, one year to wait. Man, BKV & FS know how to pimpslap the audience and leave ’em wanting more.

  • Romita

    Emotionally scarred.

  • reader

    I had all sorts of mixed feelings about that issue.

    First, the flashbacks are all within that fight scene – which has a lot of stuff of its own, not just being a frame. So the issue felt really short.

    second, what a disappointment. It’s more realistic to not have them be so parrallel, but Sir Robot cared for his son and ended up caring for Hazel for a while too. The Will cared for Sophie (pity her real name never appeared) and sure didn’t end up caring for Hazel too. Imagine if it was that symmetrical, and Robot and Will had ended up arguing with each other over what was best for the kids including Hazel?

    Third, is Vaughan OK? I mean, he made up new dad Marco shortly after becoming a father himself.

    OTOH in another series a character kills himself then in a podcast the author describes himself ina way similar to that character, and says he’ll write the 3rd and 4th books in the series after taking a break and writing some other book outside the series, so he’s OK.

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