New Masters #2 Review

Writer: Shobo / Artist: Shof / Image The world of New Masters is unlike any other interpretation of a futuristic, spacefaring Earth that I think I have ever seen. There are many familiar elements, but the segments of the Eko Exclusion Zone that we get to view through the eyes of Ola and her companions are truly breathtaking in the scope. Also, the larger interstellar politics driving the action hearkens back to many a great sci-fi story before. Whereas New Masters #1 focused predominantly on Ola, New Masters #2 spreads its screen time much more evenly between the cast. The issue starts with Sulesh and Persio, Ola’s parents, closing a business deal in order to set up any type of income for the coming months. From their conversation, we get a developing sense of the various extraterrestrial forces in play. Seeing Shobo give hints about the different economic policies and opportunities as well as the subtleties of Jovian emigration presents a fascinating lens of the world and how even as technology advance, it does not solve certain systemic problems. And then of course, the call to adventure comes literally knocking down the door.

After the opening sequence of New Masters #2, we return to Ola, and we get to see more of the wonderfully rendered city in the day. Shof does a phenomenal job of bringing the Lagos-inspired city to life. The set pieces are beautifully drawn and epitomize the Afrofuturist aesthetic perfectly while also being grounded in the familiar foibles of urban…

YOU’VE REACHED YOUR LIMIT

Become a member and continue reading

Support independent journalism and unlock full access to our stories, analysis, live streams, and exclusive editorial content.

  • Access to all member-only stories on
  • Support writers you read most
  • Read everything behind a paywall
  • Access to live streams
  • Comment on articles

CommentsNo comments yet

Subscribe for more

Be part of the conversation

Subscribe to Black Nerd Problems to start commenting.

Subscribe

Already have an account? Log in