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On September 30, 2016, I was excitedly looking forward to discussing Luke Cage and its many allusions to hip hop, which included Notorious B.I.G.’s portrait, Method Man trading hoodies with Luke, and each of the episodes bearing the titles of Gang Starr songs. I was feeling it like I was in the bodega with Method Man and about to rush him for the bullethole-filled hoodie. Of course, my students stared at me as I dared them to get excited too, which is what most students do these days until they watch it and see that I am not telling them to watch the sleepiest, most convoluted show possible. So, before I went back to talk to them on Tuesday morning, I devoured all 13 episodes. The hip hop allusions and appearances were crushing my entire heart — the opening sample of the Ghetto Brothers; appearances from Faith Evans, Dapper Dan, Fab 5 Freddy, and Jidenna; paraphrasing B.I.G.’s “Ten Crack Commandments;” when Luke calls two thugs “Plug One and Plug Two” like De La Soul; Misty Knight referencing Raekwon’s “Ice Cream” and Mobb Deep’s “Shook Ones” in a particularly poignant monologue; and Method Man chopping it up with Sway and Heather B. My two obsessions entwined on this show — hip hop and books. Books are such a significant part of the dialogue in key scenes, and how often does any show feature a Black man with an affinity for books — as any character, much less the lead? There are obvious references to Malcolm X and James Baldwin, and Harlem Renaissance writers Langston Hughe…
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