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Writer: Brandon Thomas / Artists: Diego Olortegui, Wade Von Grawbadger, and Adriano Lucas / DC Comics Aquaman: The Becoming #2 upped all the ante, as Jackson is on the run from Atlantean police who are trying to implicate him in multiple bombings around the city. This just turned into Enemy of the State underwater. I’m here for it. What was dope about this issue was that it actually didn’t focus much on Jackson himself. Save for the first few pages when he narrowly escapes capture, the issue primarily follows Mera, who the police come to question after Jackson is lost in the wind, or water. The scenes with Mera and the police are no doubt the strongest in Aquaman: The Becoming #2. Despite being interrogated in a room with her baby, the once queen holds all the power, leaving the police to scramble in their approach to question her. Thomas does a great job building character in these moments. It’s one thing to know of Mera’s regal history, but Thomas makes it felt by how everyone acts around her despite her no longer holding that title.
It’s also in these moments where we see an interesting exploration in bigotry and xenophobia. Jackson, like Mera, is from Xebel, a rival kingdom to Atlantis, and their biggest threat. This fact is a reason the police are looking long and hard at Jackson and Mera to see if they’re involved in these bombings at all. It’s an interesting commentary on a lot of real-world problems we have, and Thomas doesn’t shy away from that. I…
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Morgan Hampton
Morgan Hampton is a writer–OH MY GOD I CAN ACTUALLY SAY THAT NOW. *ahem* Excuse me, sorry for that outburst. As I was saying, Morgan Hampton is a writer currently living in San Francisco with…
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