The scene shifts to a bar, and we meet our protagonist Bree and the narrative starts in proper. And approaching this as a standalone story, the creative team does a lot of things very well. Jordan instills a great sense of tension with the dialog, and the characters feel very natural with their interactions and there is a believability to their actions and responses to the world. Paired with Tiesma’s artwork, we get a sense that the people involved in this story are not “innocent” so to speak but are still well-intentioned people trying to do what they think is best. There are great moments of vulnerability that are then juxtaposed against stellar moments of brutality. In more ways than one, I am reminded of Cinemax’s Banshee and this a comparison I make very favorably.
I think where the #1 falters for me is that there is so much innuendo about what happened that, as a new reader to the series, I don’t understand the context and why everything is shrouded in shadows, and it’s not as readily apparent that this is a follow up series from the get. But, to its credit, Jordan and Tiesma did create an engaging sandbox that does seem to work as a standalone, but only time will tell if that is truly the case.
7.9 “Shootouts” out of 10
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