‘Grim #1’ Review

Writer: Stephanie Phillips / Artist: Flaviano / Boom! Studios This is not the first time, nor will it be the last time, that Blue Oyster Cult’s “Don’t Fear the Reaper” plays (or in this particular case, are written on the page) as a specter of death approaches to take a life. Grim #1 follows a grand tradition, a common story, a familiar narrative and starting, where we follow a Grim Reaper. In this case, the reaper’s name is Jessica Harrow, and Flaviano’s evokes all the tropes you’d expected while adding a distinctively modern flair to it. Phillips’ narrative blends a lot of familiar tropes and arcs, and it’s in that unique blend that Grim #1 finds a niche. You get the depiction of the reaper leading a relatively deceased soul to the afterlife. You get the depiction of the not-exactly River Styx and the souls damned to some eternal punishment. You get the depiction of the not-exactly Purgatory in an excessive bureaucracy that some modern interpretations have leaned into. And you get the eventual pivot to the main narrative of Jessica Harrow’s journey.

Grim works because of Phillips’ awareness of the genre and the use of shorthand to help accelerate the pacing while still keeping us invested in Harrow’s own introspection. It’s a familiar set up, but it’s still executed tightly. You have to give props to Flaviano’s illustration, Renzi’s coloring, and Napolitano’s lettering. The combined visual aesthetic is striking, alluring, and has a fantastic, polished feel that shows a w…